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The journal of the China association of comparative literature was jointly sponsored by the China association of comparative literature and Shanghai international studies university in 1984
ISSN 1006-6101 CN
中国人文社科核心期刊
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Comparative Literature in China
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Academic Frontier: Cross-Cultural Study of Chinese and Foreign Drama
Editor's Words
Chen Rongnü
Abstract
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29
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2023, 0 (3): 1–1
Rebirth and Hybridity: The Cross-Cultural Translation of Classical Drama
Chen Rongnü
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29
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2023, 0 (3): 2–19
Translation is the first step in the whole process of intercultural theatric research (including theatre's translation, adapt...
Affective Medium in Intercultural Theatre: Postcolonial Mimicry and Identity Performance
Zhou Yunlong
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29
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2023, 0 (3): 20–32
Homi K. Bhabha's discussion of mimicry in colonial situations demonstrates the fluidity and fictionality of identity in inter...
The History and Methodology of the Study of Foreign Images in Chinese and Western Drama
Fan Fangjun
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29
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2023, 0 (3): 33–44
The study of foreign images in Chinese and Western drama is a branch of the comparative literature imagology. Consistent with the ...
The Concept of “Chinese Drama” in Early Britain: A Case Study of the Translation, Criticism, and Adaptation of Laou-Seng-Urh
Xu Shuangshuang
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29
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2023, 0 (3): 45–59
In the 19
th
century the British sinologist John Francis Davis translated
Laou-Seng-Urh
, which was the first Yuan...
Rethinking Intercultural Theatre Studies from the Perspective of Raymond Williams' Cultural Theory
Yang Feng'an
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29
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2023, 0 (3): 60–69
The relative ignorance and one-sided interpretation of the concept of “culture” reflect the difficulties encountered by intercultu...
Intersubjectivity Communication: An Ideal Paradigm of Shakespearean Plays in xiqu's Stage
Zheng Fangfei
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29
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2023, 0 (3): 70–83
Since the concept of intercultural theatre emerged in the 1970s, it has gone through a process from focusing on cultural subjectiv...
Sino-Foreign Literary Relations
The Limits of Lyricism and Ethics: On Wang Guowei's Construction of Byron's Image and Its Poetic Value
Chen Ruiqi
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29
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2023, 0 (3): 84–96
The British romantic poet Byron had a great influence in China from the late Qing Dynasty to the early Republic of China to the Ma...
The Misleading Zhongyong: On Zhou Zuoren's Acceptance of Felix's “Philosophy of Conflict”
Guan Linlin
Abstract
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29
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2023, 0 (3): 97–113
Zhou Zuoren has repeatedly claimed that he is a “doctrine of the mean.” To explore the reasons, the influence of Chinese tradition...
Mu Shiying, Passos, and the “Shared History” of the 20th Century
Wang He
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29
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2023, 0 (3): 114–124
By examining the true identity of the translator, the original text, and the research value of “John Dos Passos”, which was transl...
The Journey of Artificial Humans in China and the Change of “Structure of Feeling”: From R.U.R. to “Man-made Humans”
Zhu Mengmeng
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29
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2023, 0 (3): 125–140
Xu Zhuodai's science fiction “Man-made Humans” (1923) has been regarded as his original work, while Rossum's Universal R...
Translation Studies
Yu Hua in Germany
Zhang Jialing
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29
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2023, 0 (3): 141–156
Yu Hua and his works have become a precious channel for cultural exchanges between China and Germany. Although
To Live
is o...
The Western Translation of the Mingxin Baojian in the 16th Century: Focusing on the Translations by Juan Cobo and Michele Ruggieri
Hu Wenting
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29
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2023, 0 (3): 157–179
Mingxin Baojian
, one of the most well-known books during Ming and Qing dynasties, contains more than 700 maxims concerning ...
Comparative Aesthetics
The Goethean Poetics in the Perspective of Seasonal and Phenological Culture: A Study of Goethe's Poem
Chinese-German Book of Hours and Seasons
Wu Jianguang
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29
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2023, 0 (3): 180–201
Chinese-German Book of Hours and Seasons
(
Chinesisch-Deutsche Jahres-und Tageszeiten
) is the final poetic production...
International Perspectives: Donald Keene's Japanese Aesthetics and Its Expansion
Mai Yongxiong
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29
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2023, 0 (3): 202–215
In the process of the modernization and internationalization of Oriental aesthetics, the theory of Japanese aesthetics by Donald K...
Three Bones of Contention in Tragic Theory
Ding Ersu
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29
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2023, 0 (3): 216–235
Since the publication of Aristotle's
Poetics
, theorists have been ceaselessly arguing about the nature of tragic art. ...
A Dialogue between Shelley and Peacock: A Study of “A Defence of Poetry” within the Genre of Apologia Poetica
Zhang Hanliang
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29
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2023, 0 (3): 236–251
The paper proposes a pragmatic approach to Shelley's controversial treatise, “A Defence of Poetry”, which was a fragment publ...
The Scientific Dimension of Two Kinds of Poetry: Coleridge's “Willing Suspension of Disbelief” and Wordsworth's “Organic Sensibility”
Duan Yingjie
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29
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2023, 0 (3): 252–263
Coleridge in
Biographia Literaria
distinguishes two kinds of poetry: one is “directed to persons and characters supernatura...
Reviews and Report
General Preface to
Chinese Comparative Literature Library
Zhang Hui, Song Binghui
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29
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2023, 0 (3): 264–265
Localization of the Theory of Comparative Literature Themes in China: A Review of Meng Zhaoyi's
Thematology in Comparative Literature
Gao Yong
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29
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2023, 0 (3): 266–270
Telling Chinese Stories to the World: A Review of Zhu Zhenwu's Research on the English Translation of Chinese Literature
Qian Pingyun
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29
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2023, 0 (3): 271–274
An Open Paradigm for Imagology Studies: A Review of The World Elsewhere: Travel Writing and Images of Asia in Early Modern Europe
Qiao Lili
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29
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2023, 0 (3): 275–280
A Report of the Forum on “Philology and the History of Humanities” and the 2023 Annual Meeting of the Tianjin Comparative Literature Society and Foreign Literature Society
Chen Jiahao
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29
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2023, 0 (3): 281–284
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