Intersubjectivity Communication: An Ideal Paradigm of Shakespearean Plays in xiqu's Stage

Abstract

Abstract: Since the concept of intercultural theatre emerged in the 1970s, it has gone through a process from focusing on cultural subjectivity to exploring cultural intersubjectivity. As one of intercultural theatres, shakespearean play in xiqu's stage, has also experienced a similar course as intercultural theatre's. Based on a general review of the theoretical development of western intercultural theatre and performances of shakespearean plays in xiqu's stage, this article is trying to propose an ideal paradigm of xiqu and Shakespearean plays' interaction in intercultural theatre, that is, to specify intertextuality and creatively achieve co-occurrence of cultural differences in the cross-cultural context. Questioning Heaven is very close to this paradigm.

Key words: shakespearean plays in xiqu&apos, s stage, intercultural theatre, intersubjectivity, Questioning Heaven

摘要： 跨文化戏剧理论自1970年代兴起以来,经过了一个由注重文化主体性到探究文化主体间性的过程。“戏曲莎剧”作为跨文化戏剧的一种,也经历了一个从主体性到主体间性的相似历程。本文在大致梳理跨文化戏剧理论的发展和戏曲莎剧实验的基础上,基于豫剧《天问》的个案分析,尝试性地提出较为理想的戏曲莎剧的理论范式为主体与主体间的互动,即在跨文化语境中实现互文性转换与差异的创造性共现。

关键词: 戏曲莎剧, 跨文化戏剧, 主体间性, 《天问》

Zheng Fangfei. Intersubjectivity Communication: An Ideal Paradigm of Shakespearean Plays in xiqu's Stage[J]. Comparative Literature in China, 2023, 0(3): 70-83.

郑芳菲. 间性交往: 戏曲莎剧的一种理想范式[J]. 中国比较文学, 2023, 0(3): 70-83.

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