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The journal of the China association of comparative literature was jointly sponsored by the China association of comparative literature and Shanghai international studies university in 1984
ISSN 1006-6101 CN
中国人文社科核心期刊
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Comparative Literature in China
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Academic Frontier: From the Caribbean: Toward a World Literature of the “Tout-Monde”
Editor's Words
Zhou Min
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2026, 0 (3): 1–2
The Global South and the Reimagination of World Literature
Zhou Min
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2026, 0 (3): 3–17
Contemporary world literature studies face a paradox of expansion: the more they strive to incorporate Southern and marginalized l...
Brathwaite’s Tidalectics and the Oceanic Reconstruction of World Literature
Su Ping
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2026, 0 (3): 18–30
For decades, world literature studies have been dominated by continental-centrism, linear historical frameworks, and Western parad...
Relational Narrative and the Suspension of Emancipation: Archipelagic Narrative in
Small Island
and the Recognition Paradox of Global South Diaspora Writing
Lin Ying
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2026, 0 (3): 31–42
Caribbean diaspora literature, viewed through a Global South critical lens, faces the dual challenge of recovering suppressed hist...
Global South Garden Aesthetics from the Caribbean: Jamaica Kincaid’s Garden Writing and Horticultural Practice
Sheng Xiaohong
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2026, 0 (3): 43–57
In Western culture, the garden has traditionally been conceived as a utopian space embodying classical mythology and religious ide...
A Global South Rebel against World Literature or International Order: On Singh as Writer in V. S. Naipaul’s
The Mimic Men
Gao Weiquan
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2026, 0 (3): 58–72
Although Pascale Casanova classifies V. S. Naipaul as an “assimilated” figure in world literature, the writer Sing...
Sino-Foreign Literary Relations
Editorial Gaze and Creative Variation: The Discursive Construction of “Wartime China” in John Lehmann’s
New Writing
Jiao Hongle
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2026, 0 (3): 73–86
The
New Writing
series, edited by the twentieth-century British publisher John Lehmann, served not only as an intersectio...
How to Write Revolutionary China?: Modes of Seeing and the Chinese Landscape in Tret’iakov’s
Roar, China!
Yao Xuesong
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2026, 0 (3): 87–104
In the 1920s, Soviet theatre frequently turned to Chinese themes, often blending exoticist imagination with revolutionary rhetoric...
From Political Allegory to Ethical Experiment: Schefer’s Romanticist Reconstruction of the “Duke of Shao” Story in
The Elixir of Immortality
Niu Jinge
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2026, 0 (3): 105–119
This article focuses on the German Romantic writer Leopold Schefer’s novel
The Elixir of Immortality
, revealing h...
Comparative Poetics
Love’s Barriers and Possibilities: On the Metaphysical Quality of Zhang Zao’s Poetry and Its Origin
Peng Yinglong
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2026, 0 (3): 120–136
The metaphysical quality of Zhang Zao’s poetry has not yet been valued by the academic community, and its prominent manife...
Resonance and Reference: The Dialogue between Chinese and Western Thought in Yuan Kejia’s Poetic Theory of “Synthesis”
Bai Yangben
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2026, 0 (3): 137–152
Yuan Kejia proposed a “synthesis” theory of poetry in the 1940s, intertwining it with the discourses of Chen Jingr...
A Re-evaluation of the Modern Poeticity and Stylistic Issues of New Poetry: Focusing on the Concept of “Prose Poetry”
Chen Zixiao
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2026, 0 (3): 153–166
“Literature” in the modern sense is fundamentally defined by its modernity. As a literary genre within modern lite...
Translation Studies
The “Re-invention” of Li Yu: The French Translation and Reception of
Shi’er lou
Lü Ruyu
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2026, 0 (3): 167–182
Since its introduction into France in the early 19th century, Li Yu’s imitated huaben collection
Shi’er lou
The “Old Nation” Leading to the “New World”: A Study of Liang Qichao’s Translation of “The Biography of the Hungarian Patriot Kossuth”
Ye Yishan
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2026, 0 (3): 183–200
Although Liang Qichao’s “Biography of the Hungarian Patriot Kossuth” is a translated work, it closely reso...
Overseas Chinese Studies
A Study on the Dissemination and Influence of the “Five Classics” in Russia
Zhang Bing
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2026, 0 (3): 201–218
The “Five Classics” are the oldest surviving documents in China, the main Confucian classics, and the core carrier...
“Forms with Colors”: Color Concepts in the Writings of Chinese Painting History in American Sinology
Wu Peitong
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2026, 0 (3): 219–232
Unlike common impressions of traditional Chinese and Western painting colors, there has long been a tendency in Western art histor...
“Bright Yet Iron-Willed New Flowers”: A Study of the Reading History of Lu Xun’s “Printmaking Turn” (1927-1931)
Li Yang
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2026, 0 (3): 233–250
In his later years, Lu Xun devoted considerable energy to the advocacy of printmaking, particularly woodcut. The artistic origins,...
Trauma Writing from the Perspective of Interculturality: A Comparative Study of Trauma Narratives in Modern and Contemporary Chinese and American Fiction
Shen You
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2026, 0 (3): 251–267
This study examines representative trauma narratives from both China and the United States through an intercultural perspective. T...
Reviews
Chinese Canonical Hermeneutics at the Convergence of Sino-Western Classical Traditions: Book Review of
“Authorship” and the Discursive Formation of Imperial Authority: Hermeneutic Studies of
the Spring and Autumn Annals
in the Han Dynasty
Yang Naiqiao
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2026, 0 (3): 268–273
“Seeking New Voices Abroad”: A Review of
The Long Revolution: The Future of Originality in Chinese Scholarship
Zhou Yiqun
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2026, 0 (3): 274–279
The Boundaries and Future of Narrative: A Review of “Frontier Theories of Contemporary Western Narratology ” (Five-Volume Set) Edited by Shang Biwu
Wang Fanke
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2026, 0 (3): 280–284
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