关键词: “如画”, 风景, 简·奥斯丁, 李安, 《理智与情感》

Abstract: In the film Sense and Sensibility directed by Ang Lee,which adapted from Jane Austen's novel,three paintings with the picturesque style are hung on the background wall of a scene.The existence of these three paintings seems ordinary,but in fact,it has a very meaningful interpretive space.This paper attempts to explain that when the picturesque taste was prevalent in England in the 18th century,Austen did not appreciate such taste.Ang Lee,by using these three paintings as props,supported Austen's aesthetic conception.Ang Lee's attitude and standpoint on landscape,landscape painting and the picturesque taste in the movie Sense and Sensibility not only marked that “landscape”,as an important element,began to occupy a prominent position in his future film creation,this also showed the uniqueness of the artistic conception he had chosen in the contemporary film history.

Key words: the picturesque, landscape, Jane Austen, Ang Lee, Sense and Sensibility