中国比较文学学会会刊 1984年创刊 由中国比较文学学会和上海外国语大学联合主办 ISSN 1006-6101 CN
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中国比较文学 ›› 2021, Vol. 0 ›› Issue (1): 121-134.

• 中外文学关系研究 • 上一篇    下一篇

中西“文学自觉”现象比较研究——以六朝文学与唯美主义思潮为例

蒋承勇, 马翔   

  • 出版日期:2021-01-15 发布日期:2021-01-29
  • 通讯作者: 马翔,博士,浙江工商大学西方文学与文化研究院副研究员。研究方向:西方文学,比较文学。电子邮箱:maxiang@zjgsu.edu.cn。
  • 作者简介:蒋承勇,博士,浙江工商大学西方文学与文化研究院教授。研究方向:西方文学,比较文学。电子邮箱:jcy@zjgsu.edu.cn。

  • Online:2021-01-15 Published:2021-01-29

摘要: 中西“文学自觉”现象分别发生于魏晋六朝时期与19世纪唯美主义思潮。传统价值观念激变、文化观念重组显露出生活的可能境遇和生命本真状态,“为艺术而艺术”是“为人生而人生”的自然延伸。“文学自觉”直接体现为“形式自觉”,唯美主义诗学是西方客观论形式主义美学在19世纪的变体,而六朝诗学试图打破客观论美学的禁锢,两者殊途同归,推动中西文学形式的解放。“形式自觉”伴随着“情感自觉”,中西文学的“情感自觉”沿着“自然—人体—人工”的审美对象演变轨迹,各自呈现为情感的“解放”与“隐退”之不同范式,从而产生群体本位的“感物”与个体本位的“恋物”的审美心理。

关键词: 文学自觉, 审美自觉, 魏晋六朝, 唯美主义

Abstract: Chinese and Western “literary self-consciousness” occurred respectively in the Wei、 Jin and Six Dynasties and the Aestheticism in the 19th century.The radical change of traditional values and the reorganization of cultural concepts reveal the possible conditions of life and true state of life.“Art for art's sake” is a natural extension of “life for life's sake”.“Literary self-consciousness” is directly reflected in “form self-consciousness”.Aestheticism poetics is a variation of Western objectivism's formalist aesthetics in the 19th century,while Six Dynasties poetics tried to break the shackles of objectivist aesthetics,both of them had the same way and promoted the liberation of literary forms.“Form self-consciousness” is accompanied by “emotional consciousness”,which presents different paradigms of “liberation” and “retreat” of emotion along the evolution track of “nature — human body — artificial” aesthetic object,so as to produce the aesthetic psychology of the “Ganwu”(感物) based on group and the “fetishism” based on individual culture.

Key words: literary self-consciousness, aesthetic autonomy, Wei Jin and Six Dynasties, Aestheticism