中国比较文学学会会刊 1984年创刊 由中国比较文学学会和上海外国语大学联合主办 ISSN 1006-6101 CN
  • 中国人文社科核心期刊
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中国比较文学 ›› 2023, Vol. 0 ›› Issue (1): 186–201.

• 比较诗学 • 上一篇    下一篇

同核与异体: 陶瓷绘事与文本叙事的关系研究

蔡芳   

  • 发布日期:2023-01-10
  • 作者简介:蔡芳,江西师范大学外国语学院副教授,江西师范大学文学院在读博士生。研究方向:比较文学与世界文学,叙事学。电子邮箱: fangcai2019@hotmail.com。
  • 基金资助:
    江西省教育厅研究生创新基金项目 “中西陶瓷图像修辞研究”(项目编号:YC2018-B023) 的阶段性成果。

  • Published:2023-01-10

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摘要： 陶瓷叙事性图像一直与文学故事互文见义,它的直观形象性对于传播意蕴闳深的文本叙事大有裨益,它对文学传统起到了模仿、影响和传承的作用,却总是被叙事研究所忽视。本文通过对同一个故事题材在图文两种媒介上的表现进行对比分析,揭示陶瓷图像的三种叙事功能,即赓续口传文学、锚定印刷文本和复现佚失的文本,说明图像化文本与文字文本一致的能指内核。通过对比图文的叙事效果,故事在图文中的呈现存在着三种特性差异:强化戏剧性、弱化文本权威性和有意味的虚化。本文取材于希腊瓶画和中国瓷绘的所有释例,都旨在说明:陶瓷绘事与文本叙事是在互为映射的基础上形成的开放的互释关系。

关键词: 陶瓷绘事, 文本叙事, 故事与话语, 同核, 异体

Abstract: Ceramic narrative painting has coexisted intertextually with literary stories, whose visual impact and entertaining nature greatly facilitate the spread of narrative texts. It plays the roles of imitating, influencing and inheriting literary traditions, which has previously been neglected in narrative research. This paper analyzes the performance of the same stories in different media and reveals three narrative functions of ceramic painting, which are continuing oral literature, anchoring printed texts and reproducing lost texts. This shows that ceramic painting and textual narration have the identical cores at the story level. By comparing the narrative effect of figures and texts, three kinds of variations are illustrated, namely, strengthening the dramatic effect, weakening the authority of the texts and creating significant vagueness. Drawn from the examples of Greek vase paintings and Chinese porcelain paintings, it aims to illustrate that ceramic painting and textual narration have an open interpretative relationship based on mutual reflection.

Key words: ceramic narrative, textual narration, story and discourse, identical cores, variant forms

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