Abstract: The shaping of artwork is,in principle,always based on media technological imaginary,which emphasizes that artist always regards the perfection of technology and the possibility of art with the “media as material” as one of the inexhaustible motive forces of artistic innovation.Since the mid-19th century,the emergence of “media as communication” has completely changed the process of art development.The interweaving of “media as material” and “media as communication” jointly shaped the development of modern art and even contemporary art.Among them,“media as communication” occupies a dominant position.Facing the era of “media as communication”,the main contradiction faced by art is transformed into the breakthrough problem of the media particularity and media limitation of “media as material” formed by the intersection or hybridization of two or more media.According to the different types “intermediality” of art,we can divide the “media technological imaginary” into “self-media technology imaginary” and “cross-media technology imaginary”,“past-media technology imaginary” and “future-media technology imaginary”,“single-media technology imaginary” and “convergence-media technology imaginary”,and so on.

Key words: media technological imaginary, intermediality, artwork, art theory

摘要： 艺术作品的形塑原则上总是基于“媒介技术想象”的。“媒介技术想象”所强调的,就是艺术始终把对“作为材料的媒介”的技术(技巧)完美性与艺术可能性的追求作为艺术创新的不竭动力之一。19世纪中期以来,“作为传播的媒介”的出现彻底改变了艺术发展的进程。“作为材料的媒介”与“作为传播的媒介”相互交织,共同影响了现代艺术乃至当代艺术的发展。其中“作为传播的媒介”占据了支配性地位。在“作为传播的媒介”时代,艺术面临的主要矛盾转化为两种或多种媒介相互交汇或杂交时刻所形成的对“作为材料的媒介”的媒介特殊性和媒介局限性的突破问题。依不同艺术门类的不同“媒介间性”,可分为“本媒介技术想象”和“跨媒介技术想象”、“过往媒介技术想象”和“未来媒介技术想象”、“单一媒介技术想象”和“融媒介技术想象”等等。

关键词: 媒体技术想象, 媒介间性, 艺术作品, 艺术理论