Abstract: The concept of “space” is important to Han Song's science fictions. He creates unique spatial patterns of “vehicle space”, “Sino-topia” and “confined universe” in his works. From the transformation and rebuilding of daily living space to the irony and reconstruction of Utopia motif and the reflection and questioning of the ultimate meaning of the existence of the universe, Han Song's novels subvert the norms of science fiction and combine reality with surrealism. He closely observes China's modernization process, and deconstructs Chinese society under a technical background via science fiction. Based on the three unique sci-fi spaces in Han Song's novels, the paper analyzes Han Song's imagination of spaces, discusses Han Song's concern and reflection on China in the process of modernization in his novels, and points out their significance to Chinese sci-fi writing.

Key words: Science Fiction, Han Song, spatial model, Utopia

摘要： “空间”概念是韩松科幻书写中的重要内容,他在文本中创造了独特的“交通工具空间”“中托邦”和“幽闭宇宙”的空间模式。从改造和重建日常生活空间,到反讽和重构乌托邦母题,再到反思和追问宇宙存在的终极奥义,韩松的小说颠覆科幻小说的范式,将现实与超现实结合,密切关注中国的现代化转型进程,以科幻文本重新解构技术背景下的中国社会。本文以韩松小说中这三个独特的科幻空间类型为例,对韩松小说中的空间想象进行深入分析和探讨,讨论韩松小说中对现代化进程中的中国的关注与反思,并指明其对中国科幻本土化写作的意义。

关键词: 科幻小说, 韩松, 空间模式, 乌托邦