关键词: 汉斯·伦德, 跨艺术研究, 跨媒介研究, 学术史

Abstract: As a pioneer in the contemporary interart/intermedial studies of the Nordic countries, Hans Lund clarifies the text and pictore relations into three types: combination, integration and transformation, and pays special attention to the ekpnhrasis and iconic projection in the works of transformation; he defines ekphrasis as a type of transformative text while distinguishes it from the iconic projection in terms of the ontological significance, and in particular, he takes the word and image relationship as being symbolic of man and the world relationship in the study of iconic projection texts. With the extension of interart poetics to the intermedial studies, Lund refines his paradigm to explore intermedial relations. Lund's innovative insights have made a significant impact on European and American academia and boosted the interart/intermedial studies. The triple framework of intermedial relations, however, is suitable for describing the static characteristics of the texts, but neither fully covers the dynamic evolution of the texts nor unfolds the interaction of multiple media within the text. This paradigm, for instance, fails to explain the word-image relations in Chinese traditional painting in which poetry, calligraphy, painting and seals are integrated and interactive. We need to modify Lund's paradigm and combine some Chinese scholars’ innovative insights to facilitate the intermedial studies of the more complex Chinese art and literature.

Key words: Hans Lund, interart studies, intermedial studies, history of scholarship