中国比较文学 ›› 2020, Vol. 0 ›› Issue (4): 196-205.
• 中外文学关系研究 • 上一篇 下一篇
崔一, 朴惠珍
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摘要: 日本殖民末期韩国文学中的伪满洲国形象是殖民地作家通过跨界体验和跨界想象获得的异国形象,是东亚现代跨界叙事中具有代表性的个案。本文试图通过分析“受难地”“北乡”“多民族国家”等一系列场所意义的演变,揭示来华部分韩国人作家在日殖末期采取的乌托邦建构、文明与野蛮的二元对立、排斥和改造内部他者等多种叙事策略。本文认为,韩国文学中的伪满洲国形象是作为流散族群作家复杂的身份意识以及内化在他们身上的殖民意识形态投射在伪满洲国独特的语境而形成的虚幻的“民族想象”。
关键词: 伪满洲国, 民族想象, 场所, 北乡, 内部他者
Abstract: The puppet Manchukuo image in Korean literature at the end of Japanese colony is an exotic one created out of cross-border experience and transnational imagination, which is a representative case in modern transnational narration of East Asia. By analyzing the implication evolution of a series of places, such as Suffering Place, the Northern Homeland, Multinational Country, this paper attempts to illustrate varied narrative tactics adopted by Korean writers at the end of Japanese colonial age, including Utopia construction, the binary opposition of civilization and savagery, the rejection and internal others. The author deems Manchukuo image in Korean literature an imagination of nation, which was imagined by Korean writers out of their complicated status in diaspora and the reflection of an internal colonial ideology in the unique context of Manchukuo.
Key words: Manchukuo, nation imagination, place, northern homeland, internal Others
崔一, 朴惠珍. 民族想象与日本殖民末期韩国文学中的伪满洲国形象[J]. 中国比较文学, 2020, 0(4): 196-205.
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链接本文: https://clc.shisu.edu.cn/CN/
https://clc.shisu.edu.cn/CN/Y2020/V0/I4/196