关键词: 跨文化戏曲, 对话, 巴赫金, 他者, 话语

Abstract: Intercultural xiqu, which plays an important role in the modernization of traditional Chinese theatre, has been widely discussed by Chinese scholars, mainly regarding the transformation of the foreign other by and for China. This article adopts Bakhtinian dialogism to highlight the foreign other's voice, and studies the relation between the discourse of the self and the other. Because of the disparate degree of agency among practitioners, there exists three modes of Sino-foreign dialogue: monologue characterized by mass production, negotiation for creative transformation, and polemic that exhibits subjectivity. By investigating their mechanism, intention, and problems, this article attempts to find a relatively ideal mode of intercultural dialogue among a variety of intercultural xiqu productions.

Key words: Intercultural xiqu, dialogue, Bakhtin, the other, discourse