从阈限书写进入: 文学人类学研究的一个视角

摘要/Abstract

摘要： 文学人类学从历史边缘、附属、间隙、未定等地带发掘出人与物的“新元素”即阈限书写。文学人类学中的“阈限性”指涉着神话叙事中的时空通道、民俗仪式活动中的身份转换和族群认同中的边界效应。“阈限性”促使文学人类学研究遵循一种新的价值观并催生出新的视域——阈限学。“阈限学”出场的意义有四个方面:一是为人们认识文化文本(Culture as Text)提示了一种新的认知范式;二是感知不同事物之间的“边界”可能孕育着彼此的链接“通道”;三是助力人们在事物“模棱两可”的过渡、转换的界面中获得自我澄明之境,追求澄明之境的“和”与“和解”“融汇贯通”,而非唯我独尊的“同”;四是有利于人们在观照他者文明时摒弃“中心-边缘”范式,从西方佛卢瑟、德勒兹、加塔利、海德格尔以及朱利安的“间性”论视角重新认识世界。

关键词: 文学人类学, 阈限书写, 价值遵循, 阈限学

Abstract: Literary anthropology discovers the “new elements” of people and things from historical margins, attachments, gaps, and undetermined areas, which is precisely the threshold writing. “Liminality” in literary anthropology refers to the temporal and spatial migration in myth narratives, the transformation of identity in folk ritual activities, and the boundary effect in ethnic identity. “Liminality” promotes the study of literary anthropology to follow a new value and spawns a new horizon — Limenology. The appearance of “Limenology” is roughly embodied in four aspects: Firstly, it prompts a new cognitive paradigm for people to understand cultural texts that is Culture as Text; Secondly, to perceive “boundaries” between different things that may nurture “channels” linking each other; Thirdly, to help people to achieve self-clarity in the “ambiguous” transition and transition interface of things, and to pursue “harmony” and “reconciliation” and “integration and mastery” in the clarity of the environment, rather than the exclusive “unity”; Fourthly, to abandon the “center-edge” paradigm when observing the civilization of the other, and to re-understand the world from the perspective of the “intertextuality” theory of Rutherford, Deleuze, Guattari, Heidegger and Julien.

Key words: literary anthropology, threshold writing, value compliance, Limenology

李永平, 李泽涛. 从阈限书写进入: 文学人类学研究的一个视角[J]. 中国比较文学, 2022, 0(1): 169-186.

Li Yongping, Li Zetao. Threshold Writing: An Approach to Literary Anthropolo-gy[J]. Comparative Literature in China, 2022, 0(1): 169-186.

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