关键词: 魔幻现实主义, 幻觉现实主义, 美学路径, 本土化策略, 马尔克斯, 莫言

Abstract: Both Magical Realism and Hallucinatory Realism (exhibited by Mo Yan) are eminent for their ethnic identities with an assimilation of the art of surrealism. The methodologywhich the former created successfully, that is, a combination between surrealism aesthetic and their own ethnic one, exerted a profound influence on the world literature, including the latter. The production of bothMagical Realism and Hallucinatory Realism are unique in their ethnic historical background, writers' life experience and aesthetic preference, which contribute to their irreplaceable value in the world literature. Accordingly, based on the history of Magical Realism and Hallucinatory Realism, Marquez and Mo Yan are introduced as examples to be analyzed from the perspective of personal philosophy, aesthetic path, strategy of localization in literature production. The aesthetic texture of Magical Realism and Hallucinatory Realism can be better understood in the comparison.

Key words: Magical Realism, Hallucinatory Realism, Aesthetic path, strategy of localization, Garcia Marquez, Mo Yan