中国比较文学 ›› 2020, Vol. 0 ›› Issue (3): 13-37.
• 学术前沿:文艺跨媒介研究 • 上一篇 下一篇
维尔纳·沃尔夫 著, 裴亚莉, 闪金晴 译
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作者简介:
Werner Wolf, Pei Yali, Shan Jinqing
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摘要： 在简要讨论了跨媒介研究中所使用的基本术语“媒介”(medium)和“跨媒介性”(intermediality)之后,本文概述了跨媒介性的外部的和内部的种种构成形式,并特别强调了音乐-文学间的关系(超媒介性,跨媒介转换,多媒介性,跨媒介指涉)。用来说明这一类型学研究方法的例证,选自英语、德语文学以及西方古典音乐;在对这些例子的阐释中,跨媒介性的功能也得到了充分的重视。
关键词: 跨媒介性, 超媒介性, 跨媒介转换, 多媒介性, 跨媒介指涉, 西方文学, 古典音乐
Abstract: After a brief discussion of the basic terms “medium” and “intermediality” as used in intermediality studies, the essay gives an overview over general extra- and intracompositional forms of intermediality with special emphasis on music-literature relations (transmediality, intermedial transposition, plurimediality, intermedial reference). The typology is illustrated with some examples taken from English and German literatures and Western classical music; in the interpretation of the examples the functions of intermediality are also given due attention.
Key words: intermediality, transmediality, intermedial transposition, plurimediality, intermedial reference, Western literature, classical music
维尔纳·沃尔夫 著, 裴亚莉, 闪金晴 译. 文学与音乐:对跨媒介领地的一个测绘[J]. 中国比较文学, 2020, 0(3): 13-37.
Werner Wolf, Pei Yali, Shan Jinqing. Literature and Music: Mapping an Intermedial Filed[J]. Comparative Literature in China, 2020, 0(3): 13-37.
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http://clc.shisu.edu.cn/CN/Y2020/V0/I3/13
